Andy Boyd is a playwright based in Sunset Park, Brooklyn. He has an MFA in Playwriting from Columbia University and a BA (Magna Cum Laude) from Harvard University in American History and Literature. His plays have been produced at IRT, Naked Theatre Company, and Epic Theatre Company and have been part of the New York, Capital, and Providence Fringe Festivals. His plays have been developed or presented by Pipeline Theatre Company, The Gingold Group, Roundabout Theatre Company, Dixon Place, and the Trunk Space. His awards include the Columbia@Roundabout New Play award for Os Confederados, a Rhode Island State Council for the Arts grant for She Shall Be Praised, and a best production of 2019 citation from Maxamoo Theatre and Performance Podcast for The Trade Federation, or, Let's Explore Globalization Through the Star Wars Prequels. He is a host of the podcasts New Books in Performing Arts and Better than Shakespeare. His plays have been published by NoPassport Press and YouthPlays and his essays have been published by Canyon Voices, San Antonio Review, Howlround, and US History Scene.
Can Star Wars be art in the Disney era, and was it ever?
Mixing experimental Marxist theater with Star Wars?